In this course students write and analyze passages that use chromatic harmony, including secondary dominants, borrowed chords, the Neapolitan triads, augmented sixth chords, and linear-resolution diminished seventh chords. Students also analyze short but complete works that use the harmonic vocabulary described above. Additionally, students analyze excerpts and complete pieces to determine the basic formal principles which organize them, from motives, phrases, and periods, through larger structures such as binary and ternary forms, and fugue. These concepts regarding musical form are presented sequentially throughout the entire semester and integrated with other content. 08/26/2020-12/18/2020 Lecture Monday, Wednesday, Friday 02:00PM - 02:50PM, Example Hall Paul Jones, Room 214
- Teacher: Chun-Han Lin